First came across this song when it was used by Twitter in its short ad to promote NewTwitter.
The song being all of 3:08 comes across as too short. The ambient sounds at the start make you wonder before the banjo plays out a simple tune. Then once the other instruments come in and the vocals too, you’ve taken off into another world altogether. And with just 6 lines of down-to-earth lyrics and a whole plethora of sounds, Freelance Whales manage to woo us with their song Generator ^ First Floor. You just wish that this enchanting song was longer!
I don’t own the copyrights to this song. Just want to share it.
“To one generation, Bose meant the freedom struggle. To another it was audio speakers. I shudder to think of the next. #delhibelly” – So went a tweet by journalist Madhavan Narayanan (@madversity) on Twitter. Now people have every right to say what they feel. Twitter is, after all, exactly that. A place for people to tell the world (that is, if said world is following them) their every whim, fancy, and, most importantly, rant.
Anyway, I digress.
The reason I write this post today is because Mr. Deekay Bose has managed what the femme fatales Munni and Sheila couldn’t. Bhaag DK Bose from Delhi Belly has polarised listeners. Some find it plain catchy; another song to listen to while travelling. Few find it to be inspired: by Green Day’s music. A large number of people hate it for its sheer audacity to hide a famous North Indian cuss word within an addictive tune, as well as lyrics where a father defames and discourages his own son.
“Daddy mujhse bola, tu galti hain meri.” / “Daddy once told me, that I’m his mistake.”
The people who hate Bhaag DK Bose are vociferous about it, while those who love it, well, they just love it. After all, what’s not there to love in it? MW (@menakasays) says on Twitter that it is “addictive. And energetic. And lively and did I mention addictive?” Zena Yarde, a student just out of college, feels that it has innovative lyrics. I agree. So did Dev.D’s Emoshanal Atyachaar which slyly inserted a ‘whore’ and ‘bitch’ into the lyrics.
But no one carried out a morcha then. Then why target DK Bose? Notice, most of the people targeting this song are people who have well reached past their thirties now. The youth of today, on the other hand, enjoy Eminem passing cuss words at the speed of rapper’s light in his songs. They love it when Linkin Park vents it out in their songs. So now if these same youth take pleasure in a song from our own country, that I would say, to some extent, is songwriting genius, is it a crime?
If I’m not mistaken, the people hating Bhaag DK Bose are the same who enjoyed Choli Ke Peeche Kya Hain when it came out? Entendre okay, open cussing (not even open) not?
“Tumhara ishq, ishq. Aur humara ishq, sex?”
Jay Maniyar (@jayblawgs) says that Bhaag DK Bose is “very populist.” But then if it is out to please all, why is it getting the backlash that it is? Nishtha Kanal (@RootKanal) says that “you cannot explain having bhosdike in your song to the parents of a ten year old kid.” True. When Kaminey released, a newspaper article said that there was a rise in the use of the word kaminey. I wondered then, what would happen once Inglourious Basterds released. Nothing did. Why? English film. It’s the popular culture that Indian folks are worried about. Nishtha adds, “I don’t approve of gaalis in mass culture; loses its sheen in a way.” But which ten-year old child isn’t exposed to cuss words, or sex scenes, or violence in movies? The best parents can do is explain to their children what it its implications are and why they shouldn’t go about singing it at their school during recess.
And then, the perplexing question. Where were these people during Munni and Sheila? So it is not okay if a father calls his son the foam from the soap (“saabun ki shakal mein, beta tu toh nikla keval jhaag”), but Sheila’s jawani being too sexy for us is acceptable. (The problem caused to people named Munni and Sheila is another issue altogether [men to blame, no denying that]; at least I don’t think there exists anyone named DK Bose; it’s an old joke anyway.) Weren’t ten year old kids singing “I’m too sexy for you” and gyrating to Munni’s Zandu Balm moves? Where was the moral brigade then?
Back to Bhaag DK Bose, I still consider it to be the catchiest of the lot. The interesting part is that bhosdike being a North Indian cuss word, many people were not familiar with the running joke (pun unintended) in the song. And these were 20-25 year olds I’m walking about. What’s the probability that a ten year old child will know the intricacies of the wordplay? Whose dirty mind is at work?
At the end of it all, I’m in favour of Mr. DK Bose running away from the storm (which he invariably is doing). Are you?
Written by Runcil Rebello (@MrNarci).